OUR GOAL AT VHS WASTELAND IS TO PROVIDE YOU WITH THE STRANGEST AND MOST HARD TO FIND VHS COVERS IN HISTORY. BUT WE CAN'T DO IT ALONE. BELOW IS A LIST OF THE GENEROUS MEN AND WOMEN WHO CONTRIBUTE VHS SCANS TO THE SITE. IF YOU ARE INTERESTED IN BEING PART OF OUR TEAM, YOU CAN FIND INSTRUCTIONS AND TEMPLATE FILES HERE AND YOU CAN CONTACT JAMES GILKS BY CLICKING HERE. WE HOPE TO HEAR FROM YOU SOON.
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Hello and welcome to VHS Wasteland! VHS WASTELAND is your home for high resolution scans of rare, strange, and forgotten vhs covers. Each of these bizarre gems is scanned at 200 dpi. Our staff of over 40 contributors (and more added all the time) scans and posts between 15-30 new covers every day along with reviews, trailers and much more! So bookmark our homepage and check the site often! Simply click on the thumbnail of any vhs cover to download the full high res format. We'd also love submissions from you. If you have a vhs that is weird or rare, you can find info on what we are looking for here.
FREE PUPPIES: Want to help us out? An easy way to do so without any real effort on your part at all is to make this page your home page. It would give us more hits and help bring in a few precious pennies in ad space. Come on, do it now. Why are you not doing it? What, do you hate us or something? Do it and we'll be your best friend... And we'll give you a puppy. Legal disclaimer: the staff of vhs wasteland has no intentions of giving you a puppy. Are you not doing it because you don't know how? Here's a link that explains how to do it. There now you have no excuse. Do it now. Oh, and also be sure to check out our new online store and get yourself some great vhs wasteland merchandise. Come on... We'll give you a puppy. Dang it, why haven't you made this your homepage yet? You used to be cool man.
Also, why not visit our parent sites (madhatterdesign.net and serialkillercalendar.com). They have nothing to do with vhs covers but i think you might be pleasantly surprised by what you find. Or not. I don't know you. Maybe your not surprised by anything. Maybe your the kind of guy that sees a cow fall out of the sky and explode like a piñata and your all like "huh, that was weird." man. What's wrong with you anyway? Jeez. Some people.
OUR WISH LIST: Our wish list: we are always looking for new movie reviewers and vhs contributors to join our vhs wasteland team. If you have something strange or rare you, we would love to include it on the site. You would, of course, get full credit for your contribution and be added to our ever growing staff page. Some of the titles we are looking for right now include (but are in no way limited to) "dancing grannies" "bambi meets godzilla" and any kind of insane religious vhs. You can click here for instructions on how to scan and submit these covers or, if you are the coolest person ever and want us to promote the crap out of you (or your website) you can mail us the actual vhs tape to add to our collection. Either way, contact us for more info!
FEBRUARY 18 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
CURSE OF THE BLUE LIGHTS
FEBRUARY 18 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
FIRE AND RAIN
FEBRUARY 18 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
BUCKY O'HARE : THE TOAD MENACE
FEBRUARY 18 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
FUTURE HUNTERS
FEBRUARY 18 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
HANNA BARBERA'S CHRISTMAS SING-A-LONG
FEBRUARY 18 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
MUNCHIE
FEBRUARY 18 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
HULK HOGANS ROCK 'N' WRESTLIN : THE FOUR LEGGED PICKPOCKET
FEBRUARY 18 VHS TECHNICAL DETAILS : AUDIO - ORIGINAL LINEAR SYSTEM
In the original VHS format, audio was recorded as baseband in a single linear track, at the upper edge of the tape, similar to how an audio compact cassette operates. The recorded frequency range was dependent on the movement of the tape past the audio head, which for the VHS SP mode, resulted in a mediocre frequency response of roughly 100 Hz to 10 kHz. The signal-to-noise ratio was an acceptable 42 dB. Both parameters degraded significantly with VHS's longer play modes, with EP frequency response peaking at 4 kHz. Audio cannot be recorded on a VHS tape without recording a video signal, even in the audio dubbing mode. If there is no video signal to the VCR input, the VCR will record black as well as generate a control track while the audio is being recorded. More expensive decks offered stereo audio recording and playback. Linear stereo, as it was called, fit two independent channels in the same space as the original mono audiotrack. While this approach preserved acceptable backward compatibility with monoaural audio heads, the splitting of the audio track degraded the signal's SNR to the point that audible tape hiss was objectionable at normal listening volume. To counteract tape hiss, decks applied Dolby B noise reduction for recording and playback. Dolby B dynamically boosts the mid-frequency band of the audio program on the recorded medium, improving its signal strength relative to the tape's background noise floor, then attenuates the mid-band during playback. Dolby B is not a transparent process, and Dolby-encoded program material will exhibit an unnatural mid-range emphasis when played on non-Dolby capable VCRs. High-end consumer recorders took advantage of the linear nature of the audio track, as the audio track could be erased and recorded without disturbing the video portion of the recorded signal. Hence, "audio dubbing" and "video dubbing", where either the audio or video are re-recorded on tape (without disturbing the other), were supported features on prosumer editing-decks. Without dubbing capability, an audio or video edit could not be done in-place on master cassette, and requires the editing output be captured to another tape, incurring generational loss. Studio film releases began to emerge with linear stereo audiotracks in 1982. From that point onward nearly every home video releases by Hollywood featured a Dolby-encoded linear stereo audiotrack. However, linear stereo was never popular with equipment makers or consumers.
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